Barcelona^® Table

Ludwig Mies van der Rohe ca. 1929

The perfect complement to the Barcelona Chair, Mies Van Der Rohe’s chrome and glass table design exudes modern style and sophistication,

while the simple elegance and pure composition epitomize one of van der Rohe’s most famous maxims –“less is more.”

Saarinen Side Tables

Eero Saarinen 1957

Eero Saarinen vowed to address the “ugly, confusing, unrestful world” he observed underneath chairs and tables—the so-called "slum of legs."

A five-year design investigation led him to the revolutionary Pedestal Collection, including four elegant side tables.

Platner Side Table

Warren Platner 1966

In 1966, the Platner Collection captured the “decorative, gentle, graceful” shapes that were beginning to infiltrate the modern vocabulary.

The iconic pieces are created by welding hundreds of curved steel rods to circular frames, simultaneously serving as structure and ornament.

An 18k gold finish option was added in 2015 to celebrate the 50th anniversary of the Platner Collection.

Florence Knoll^™ Coffee and End Tables

Florence Knoll 1954

Florence Knoll Coffee and End Tables, designed to furnish the new interiors of postwar America, are scaled-down

translations of the lines, gestures and materials of modern architecture. Consistent with all of her designs, the tables have a spare,

geometric presence that reflects the objective perfectionism and rational design approach Florence Knoll learned from her mentor, Mies van der Rohe.

Laccio Side Table

Marcel Breuer ca. 1925

Like his Wassily and Cesca chairs, Marcel Breuer’s Laccio Tables are critical to the story of 20th-century design.

Breuer’s use of tubular steel to define lines in space—beautifully exhibited in these simple nesting tables—revolutionized furniture construction

and inspired many subsequent generations of designers. The Laccio table’s chrome base is complemented with white, black or red laminate.

Saarinen Coffee Tables

Eero Saarinen 1957

Eero Saarinen vowed to address the “ugly, confusing, unrestful world” he observed underneath chairs and tables -- the so-called "slum of legs."

A five-year design investigation led him to the revolutionary Pedestal Collection, including what is perhaps the most recognized table of the modern era.

Platner Coffee Table

Warren Platner 1966

Introduced in 1966, the Platner Collection of sculpted wire furniture captured the “decorative, gentle, graceful” qualities that were beginning to infiltrate the modern vocabulary.

The Collection’s unique, harmonious forms are created by welding hundreds of curved vertical steel rods to circular frames, finished in bright nickel, 18k gold or bronze metallic paint.